In the temple architecture of India, the Khajuraho complex remains unique. One thousand years ago, under the generous and artistic patronage of the Chandela Rajput kings of Central India, 85 temples, magnificent in form and richly carved, came up on one site, near the village of Khajuraho. The amazingly short span of 100 years, from 950 AD - 1050 AD, saw the completion of all the temples, in an inspired burst of creativity. Today, of the original 85, only 22 have survived the ravages of time; these remain as a collective paean to life, to joy and to creativity; to the ultimate fusion of man with his creator.

Why did the Chandelas choose Khajuraho or Khajirvahila - garden of dates, as it was known then - as the site for their stupendous creations ? Even in those days it was no more than a small village. It is possible given the eclectic patronage of the Chandelas and the wide variety of beliefs represented in the temples, that they had the concept of forming a seat of religion and learning at Khajuraho. It is possible that the Chandelas were also believers in the powers of Tantrism; the cult which believes that the gratification of earthly desires is a step closer to the attainment of the infinite. It is certain however, that the temples represent the expression of a highly matured civilization. 

Yet another theory is that the erotica of Khajuraho, and indeed of other temples, had a specific purpose. In those days when boys lived in hermitages, following the Hindu law of being "brahmacharis" until they attained manhood, the only way they could prepare themselves for the worldly role of 'householder' was through the study of these sculptures and the earthly passions they depicted. 

Founded by the legendary Parmar king of Dhar, Raja Bhoj (1010-53), and named after him, Bhojpur, 28 km from Bhopal, is renowned for the remains of its magnificent Shiva Temple and Cyclopean dam.
The temple, which has earned the nomenclature of the Somnath of the East, is known as the Bhojeshwar Temple. In plan a simple square, with an exterior dimension of 66 feet, it is devoid of the re-entrant angles usual in such buildings. The richly carved dome, though incomplete, has magnificent, soaring strength of line and is supported by four pillars. These like the dome, have been conceived on a massive scale, yet retain a remarkable elegance because of their tapering form. Divided into three sections, the lowest is an octagon with facets of 2.12 feet, from which springs a 24-faced section.

Maheshwar was a glorious city at the dawn of Indian civilisation when it was Mahishmati, capital of King Kartivarjun. This temple town on the banks of the river Narmada finds mention in the epics of Ramayana and Mahabharata. revived to its ancient position of importance by the Holkar queen Rani Ahilyabai of Indore. Maheshwar's temples and mightly fort-complex stand in quiet beauty, mirrored in the river below.

Omkareshwar, the sacred island, shaped like the holiest of all Hindu symbols, 'Om', has drawn to it hundreds of generations of pilgrims. Here, at the confluence of the rivers Narmada and Kaveri, the devout gather to kneel before the Jyotirlinga (one of the twelve throughout India) at the temple of Shri Omkar Mandhata. And here, as in so many of Madhya Pradesh's sacred shrines, the works of Nature complement those of man to provide a setting awe-inspiring in its magnificence.